Aunt Gladis’

This article contains the spoiler “Weapons”

“Weapons” is the latest terrible feature of the author/director, a master’s degree in editing — in more than one way. The former crab (the first one as a solitaryist), “Berbar” was a very clever film of his direction, the audience believed that something was happening when it was not, and hiding what was actually happening from people to the ausptic trap was willing to emerge. Considering the general response to the film, the tenant must have been aware that his investigation will be under heavy research for any big twist and rotation from the beginning, something that “barbarian” did not need to deal with. thus, The tenant has developed a “weapon” around the idea of an unsolved secret idea.. In other words, both the characters and the audience ask the same question: What happened to 17 children who left their homes early in the morning?

Independence of films and other secret boxes and screenings such as “beating the cabinet” and “knows”, “weapons” narrates the energy of the trace of the sympathy of the characters when they all try to treat and/or deal with this secret in their own way. The public audiences are trained to search for signs and together because of decades of twisted stories, and there is a motivation for some to jump to the most imaginary theory that imagines in an attempt to pass the filmmaker.HBO’s “Westworld” answer,. The tenant distorts this motivation by hiding the answer from a clear eye to the beginning of the film. In the first part of the film, which gathers around Justin Garner, the school teacher whose class is what all the missing children shared, the woman’s car is destroyed, the word “wisdom” painted on the one hand.

There is really a magician who is accused of disappearing the children, but not the poor. Instead, Gladis Lily (Amy Madigan), Aunt Alex (Crystoffory), the one child who was not lost in the polysis. This revelation is relatively direct directly to the audience, taking into account the large amount of motivation and motives. So here is the only thing we know about Aunt Gladius, then trying to try and formulate what may be really.

In the 1988 Dutch film “The Fannishing” by the Dutch filmmaker George Slowezer, the hero was tortured and thwarted in the final because of the horizon that never knew what happened to his kidnapped boyfriend. Just as one can see the end of the film as a twisted finger, the mercenary uses Gladius’ character in “Conturns” as a joke of similar illness, one who is more playing with audience than other characters. In addition to seeing it in some of his own moments, he is dry and weak, the Gladius is often portrayed in the film as a great character, polite, polite and cheper. The upper top makeup and bright red hair were almost that it appeared to be a kind of joke. that’s of course it ties him to him The long history of the killer’s jokes in real life and in the imaginationbut you feel that “weapon” is not trying to compare John Wayne Gassi or Penius, as much as he wants to meet the Gladdis character.

These colors of Tonal for Gladius are something that the famous American actor Emmy Madigan is smoked by an uploamb. As it turns out, his skills with the role are one of the main reasons why the tenant was eager to give him that part. As the filmmaker explained in an exclusive interview with Chris Evangylista:

“…I have always been a great fan of him, and I only know that he can do anything. You look at ‘field of dreams’ and he is this explosives and completely bonus and only comedy.

In partnership with a tenant who wanted Madigan to play various feelings and emotions, the character of Gladius has many classes under his tyranny. Instead of becoming a devil’s mastermind that plays a long and complex game of deceit (as with him The magicians seen in Ari Ari’s “genetic duration” For example, Gladius is the only sick woman who uses her skills to try to recover and live longer. He is a modester in his behavior (the very kind to strangers who make their guards lose their guards) and in magic (all the minds of others to use them for their lives or as a weapon). He takes his real strength from hiding clear from the eyes of the people, just as the “wither” reference to Justin’s car.

One of the creative aspects of “weapons” is how to indicate the real and supernatural crime, two races known for entering a secret vegetation and the emergence of angry and complex theories. That Justin, Archer (Josh Brolene), and viewers may have the possibilities about Mibrock’s missing children, with Gladius as an answer to all of them. Gladius, again, is not a master’s degree; He is simply opportunistic. The main reason he used the magician to kidnap 17 children in a class is that he can ask his nephew in the classroom, Alex, secretly getting what he needed undoubtedly. He puts Alex’s parents under his magic because they are his family and two closest people who can start. He avoids putting Alex in his genitals to help maintain public normal normal normalization. Only when he attacks Justin, Archer and others who are very close to finding his secret. He’s so practical!

Given this practice, the reason for the kidnapping of the children by Gladius seems to be only for any supernatural process that allows him to live a healing life force from their body (or souls, perhaps). Even the tenant increases more oppression on the Gladish plot, which is that this magic is apparently not working well in the way he hoped for him. Similar to someone who thinks that taking eight Tylanols instead of the two suggestions reduces their headaches, Gladius just tries to raise the meal on the magic of healing with the children. One of the erons of the film is that if Gladish knows it will not be so effective in advance, it may not have gone to all the problems of kidnapping, cover-up, etc.

This gives food to one of the main topics of the film, which is that a large number of catastrophic and terrible events sometimes have a normal explanation, which is sometimes worse than any explanation at all. The theme can be seen throughout the film, and it may be the best example of the importance of the absence of the 2:17 am, when the children leave their homes. Instead of this special time, it appears to be simply when Gladish is finished in sharing and implementing his magic; It could be a minute earlier, a minute later, or after half an hour. In the way Gladdis arms people around, the tenants arm the minds and expectations of the audience against them. As “weapons” prove it, it is very effective.